Monday, February 8, 2010

Globe and Mail Columnist and Author Ian Brown Wins Big


Ian Brown Wins the 2010 Charles Taylor Prize for Literary Non-Fiction

The Winner of the 2010 Charles Taylor Prize for Literary Non-Fiction is Ian Brown (Toronto) for his book The Boy in the Moon: A Father’s Search For His Disabled Son, published by Random House Canada. The $25,000 prize was awarded Monday, February 8, 2010, at a gala luncheon held in the historic Sovereign Ballroom of downtown Toronto’s Le Meridien King Edward Hotel. The remaining nominees — John English, Daniel Poliquin, and Kenneth Whyte — each received $2,000.
Of the book, the jury said: “In telling the story of his son afflicted with a rare, mysterious disease, Ian Brown takes us into a netherworld where medicine and morality meet. He recounts the quotidian struggles of Walker with artless candour, quirky humour and unsparing detail. Marshalling a journalist’s investigative tools, Brown searches out the disabled and finds not only them, but a community of geneticists, neurologists, ethicists, and secular saints. His account of his journey is deeply discomfiting and deeply affecting. Along the way, Brown discovers himself — and the capacity for love.”
Ian Brown is a feature writer for The Globe and Mail; the anchor of TVO’s Human Edge and The View from Here, Canada’s television documentary series; and for 10 years was the host of CBC Radio One’s Talking Books. His reporting and writing have won more than a dozen national magazine and newspaper awards. He is the author of two books, Freewheeling and Man Overboard, and the editor of the anthology What I Meant to Say: The Private Lives of Men. He lives in Toronto, Ontario.
The jurors for The 2010 Charles Taylor Prize for Literary Non-Fiction are Andrew Cohen (Toronto), Tim Cook (Ottawa), and Sheila Fischman (Montréal). They selected The Boy in the Moon: A Father’s Search For His Disabled Son from among 125 books, submitted by 34 publishers, from all across North America. Books in the genre of literary non-fiction, published between November 1, 2008, and October 31, 2009, were eligible for submission if authored by a Canadian citizen or permanent resident, and widely available for purchase in Canada.
The prestigious Charles Taylor Prize for Literary Non-Fiction recognizes excellence in Canadian non-fiction writing. Since its inception in 1998, the prize has fostered a growing interest in non-fiction, engaged Canadians in the genre of literary non-fiction, and boosted sales of the winning authors’ books.
Founded in commemoration of the late Charles Taylor, one of Canada’s foremost essayists and a prominent member of the Canadian literary community, the prize is awarded annually to the author whose book best combines a superb command of the English language, an elegance of style, and a subtlety of thought and perception.
The trustees of the Charles Taylor Foundation are Michael Bradley (Toronto), Judith Mappin (Montréal), David Staines (Ottawa), and Noreen Taylor (Toronto). The Charles Taylor Prize for Literary Non-Fiction is presented by the Charles Taylor Foundation with the generous support of its partners: Ben McNally Books, Bravo! and Book Television, Canada Newswire (CNW), Event Source, Indigo Books and Music, Le Meridien King Edward Hotel, Quill & Quire, The Globe and Mail, and Windfields Farm.

Bravo! Arts&Minds Charles Taylor Prize Special

This special edition of Arts&Minds will feature highlights of the 2010 Charles Taylor Prize for Literary Non-Fiction shortlist news conference and awards luncheon, and a feature interview with the winner. The special also includes reaction from prize founder Noreen Taylor and members of the jury, as well as profiles of each of the shortlisted authors and their books. The show will premiere on Saturday, February 20th at 6:00 p.m. Eastern and Sunday, February 21st at 7:00 p.m. Eastern. Check www.bravo.ca for the complete listings. This program will also be available online at www.bravo.ca/events/CharlesTaylorPrize/
To download high-resolution images of the jury, finalists, and shortlisted Book covers please go to: www.thecharlestaylorprize.ca/2010/photogallery_10.asp
For more information please visit: www.thecharlestaylorprize.ca and follow us on Twitter at www.twitter.com/taylorprize

PHOTO CUTLINE: Noreen Taylor, founder of the Charles Taylor Prize for Literary Non-Fiction congratulates Ian Brown, winner of the 2010 prize for his book The Boy in the Moon: A Father's Search for his Disabled Son. (CNW Group/Charles Taylor Prize)

Media contact: Stephen Weir & Associates
Stephen Weir: 416-489-5868 cell: 416-801-3101 sweir5492@rogers.com
Linda Crane: 905-257-6033 cell: 416-727-0112 cranepr@cogeco.ca

Sunday, February 7, 2010

Renfrew, Ontario days - 20 minutes of fame for a dead man. The late photographer, Bruce Paton

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Title: We promised each other we would never go back to Renfrew again.
Sub-Title: Bruce Paton. He should never have returned home

In November 2006 I wrote a short piece for the Toronto Star short story contest. I wrote the story in secret, only showing my wife after I had submited it. Thought i twould be an easy way to make $5,000. I didn't win. I didn't even place. Sigh.

The story is nominally about Bruce Paton, a fellow I went to high school with and briefly shared a bachelor apartment with at Windsor University back in 1970. The facts are basically true, although I have taken tremendous liberties in the telling of the story. I guess because the story is suppose to be a work of fiction, I renamed Bruce - he appears in the story as George. And, no not George Heath. George, like me, left Renfrew and never went back again.

The picture above was taken by Bruce when he was taking pictures in Africa in 1980. He described the photograph as: Women and girls in Angola collect water in a desert outside their town by digging down through the sand to the water table.

Here is the story about the late Bruce Paton.

GEORGE'S SEVEN CRIMES OF THE LAST CENTURY ( AND THEN SOME)

The first crime of the day was the sweetest. Black paint spray cans at the ready; George and I had our way with the sign that had stuck in our craw for years … “Renfrew, a beautiful town to live in, population 9,800.”

We weren’t very literate back then, so we made it short and to the point. “Renfrew a beautiful town to die in, population 9,798.”

Littering was our second misdemeanor that hot dusty August morning. We tossed the evidence – two spent spray cans - into the weed filled ditch just before we threw our knapsacks into the back of the pickup truck that had stopped to give us a ride.

Squeezed into the cab, left knee getting pummeled by the vibrating four-on-the-floor gearshift, George and I once again left town forever. We were too young to understand that hitchhiking through life is an inexact science.

“Windsor. Windsor University,” we both chimed in, when the driver, a T-shirt wearing 20-something guy asked where we going. He seemed much older than us, and, with some weird respect-for-our-elders-thing taking place we told him way too much, way too fast.

“Wait a minute, didn’t I see you losers standin’ out here last month?” he asked, lighting a Player’s Plain with one hand, gearing down with the other and knees up holding the wheel sorta straight. We’d been in the ancient pickup for barely five minutes and he was already slowing down to toss us ‘cause we weren’t passing muster.

“Yup. We were on our way to Woodstock. We were half a million strong,” grunted George. “ Trouble was, we found out that when you go to Yasker’s Farm, you need more than a library card to please Uncle Sam’s fascist border guards. We’ve been bored and in town ever since.”

“ ‘Mericans. Hate ‘em. And their fuckin’ war too,” said our now accelerating driver as he spit bits of tobacco out the window. He spat as good as he talked – the back window was covered in brown slime, blow back from an errant aim. “I’ll take you to Kaladar, you should be able to land a ride on 17.

I was all aglow as Renfrew disappeared in the cracked side mirror. Not George. He huddled with his face pressed flat again the right-hand window. For over an hour he squirmed, grabbed his crotch and moaned softly. He didn’t want to let me, or our Sir Galahad know that he had considerable pain in his “man” area.

I didn’t find out what was wrong ‘till we rolled out of the cab of that rusty Ford flatbed. “Shoulda worn underwear” were the first words out of George’s mouth.

Gotta backtrack here because it turns out the real first crime of the day had been just after breakfast. We’d ambled into the IGA (dubbed the I Give Ass store) to buy a day’s worth of thumbing supplies. I paid for two cokes, a bunch of Crispy Crunch chocolate bars and a deck of smelly Gitanes.

Meanwhile unbeknownst to me, George was in the meat section stuffing two frozen steaks and a pound of ground down his pants. He brazenly walked out of the IGA with his frayed jeans bulging, rightly figuring that Renfrew’s only two hippies wouldn’t merit a look in THAT region from the God-fearing church-going checkout girl.

We’d been walking alongside 17 for an hour, our thumbs aching, our stomachs grumbling, and George in dire pain when we committed Crime Number 4. It was a berry bad transgression indeed.

You see Kaladar is blueberry country, every home along this stretch of the Trans Canada has a purple stand at the end of the driveway where the day’s pickings are sold. One trustworthy soul had left her stall unattended, there was a sign asking customers to leave $2 on a plate for each basket purchased.

We took two boxes, one of which went immediately down George’s pants – a 60’s back-to-nature approach to freezer burn. We also took six two-dollar bills and a coupla knuckle full of nickels.

Basking in the afterglow that comes from a successful theft, we musta exuded an angelic aura that drivers couldn’t resist. We had a succession of rides from Kaladar to Toronto to a 401 rest stop near Tilbury town.

I guess social crime don’t count. Besides, the only tiny sin we committed on that stretch of our adventure was purely by accident. Exiting a long, low limited edition LTD I couldn’t help but notice a big blue stain on the white upholstered backseat where George had been sprawled out on.

Crime Number 5 wasn’t my fault. I swear it. Hanging out in the washroom of the 1867 Restaurant on 401, we meet a short little guy with hair longer that Jesus. He sported a crushed velvet blue tuxedo, had a garland of flowers around his neck and was barefoot. Never met the James Gang or been to Burma, but, I guessed he was Joe Walsh and he smelled like he’d been married in Fu Manchu’s opium den.

“ ‘Scuse me as I kiss the sky,” he yelled, as he did a pirouette in front of a line of occupied urinals. “ I got married today and I am the happiest man on this mortal coil.”

“Congratulations. Have a Crispy Crunch and some blubes,” I said, sticking out a bar and box of berries. We bonded. I told him our story and our pressing need for a ride to Windsor.

He took us out to the parking lot to meet “Still Waters” his new partner for life, this week. She was sitting cross-legged in the back of a flower covered Volkswagen van, singing softly to a tune none of us could hear.

Still Waters and her husband were real hitchhikers. They had been hitched in the morning and wandered out to the 401 to begin their honeymoon on the cheap. Sticking out their thumbs, they had decided to hike wherever kind people wanted to take them.

As George slid the Volk’s side door shut and my eyes got accustomed to the gloom, I decided that “kind” was not an apt description for who else was in that van.

The young couple, so blissed out on each other, had missed telling us that Che Guevara was at the wheel, and Josef Stalin was riding shotgun. They also skipped over those two guys who blasted Peter Fonda at the end of Easy Rider, and were now in the back with us, still carrying their guns as they sat guard over a pound of dope.

As the van headed onto the 401 one of the gunmen glared at us and said, “Time you got wasted”. It was said like a bored judge delivering, yet again, a ten-year sentence to an habitual criminal.

But we didn’t have to imbibe. The air was so filled with narcotic laced smoke that just the simple act of breathing was enough to render even Cheech and Chong unconscious. George and I stared, red eyed at each other. Still Waters sang about free love, the other pair talked about loving to kill somebody. Today.

I am sure it was a crime simply to look at that van. George and I musta broke a dozen other heavy-duty laws just sitting in there. George was writing his will on the back of the Gitanes. I figured the Supreme Being was punishing me for Crimes 1 through 5.

I now know there is power in prayer; at least for me. Even though the sky was devoid of clouds, there was a crash; a blaze of light beamed down at us from the heavens above. The Doors had been on the 8-track but suddenly the music was indeed over. Bang. Crash. Kaboom. The van was on its side at the edge of an Essex Township cornfield.

We climbed up through the sliding door. There were drugs, bodies and guns below us. I helped Still Waters and her soulmate out. George decided to let the sleeping dogs lie.

On solid ground Still Waters and her husband hugged each other and yelled “Far Out”. They kissed. They danced. They said it was an electric moment!

Yes indeed. We had been hit by lighting. The door handle was a fused hunk of smoking metal. There was a zigzag burn mark the height of the van. I thanked God and said I was reformed and reborn. George told me to shut up and dragged me into the cornfield.

“Either those guys are going to wake up and blame us for having magnetic personalities or the cops will arrive and find the drugs’n’guns or both. Trust me, we don’t want to be here.”

He was right. We staggered through the corn crop, worried about police and the Mafia. Together we walked to Windsor. It took all night.

We reached downtown just as the welfare office opened; George talked me through what to say to get an emergency cheque (or two). We got an apartment -- fittingly it was in a converted women’s jail -- the Chateau Blanc.

Those first few days were without furniture. George fixed that. I don’t know how, I just hope he wore long johns as he liberated chairs, a table, two desks, a coffee machine, dishes, wine and more steak, all during Frosh Week.

It wasn’t working out, he was always mad at me for taking that vow of crimecelibacy and making him carry all the freight. I refused to help with Crime Number 6 - the decoration of our apartment and fridge. I didn’t take part but I ate his steak, at his table, sitting in his chair, so I figured I was in a gray area when it came to my promise to the Great Mandala.

One morning I got up and George was gone. So was most of the furniture and all my beer. He had learned his lesson and left the frozen meat in the freezer.

No note. No good-bye. No regrets. I didn’t see him ever again. But, Renfrew, like most Ontario towns, is, a state-of-mind. Parents and chance encounters with casual acquaintances kept me in the loop.

A few years later George resurfaced in Ottawa. He picked up (literally?) a Pentax camera and became a photographer. In the beginning his pictures were earnest but unmarketable. I suspect that a lot more five fingered discounting was required to keep steak on the table.

He went to Africa and was one of the first white photographers to record the start of what has become the planet’s worst nightmare. Upon his return his photographs toured the continent. They helped, albeit lightly, to awaken the world’s conscious to the looming AIDS crisis.

It awoke his own conscious. He began to drink, maybe to forget what he had photographed, or what he done or shoulda done with his life.

It was only a coupla years ago that he committed Crime Number 7. He broke our carved-in-stone promise and did what we both vowed never to do. He went home to Renfrew.

Then he drank. And drank. And drank some more. He fell down. Often. One day he didn’t get up. End of story. We had written his fate thirty years before with Crime Number 2 – Renfrew a Beautiful Town to Die In.


CUTLINE: This story was written two years ago (2008). In February 2010 I received a photo from Robin Burgess, printed above that shows us in Renfrew circa 1968. I am at the left, Robin is in the middle and Bruce Paton is at the right. Don't know who is standing on the roof.

Thursday, February 4, 2010

Media Launch: Toronto Black History Month Exhibition at Science Centre



MEDIA ADVISORY
Media preview of special Toronto Black History Month exhibition
at Ontario Science Centre


Tourism Toronto and the Ontario Science Centre are presenting a salute to Toronto’s rich Black heritage via an exhibition at the Ontario Science Centre. Over 55 artifacts and photos will be on display tracing the region’s earliest African-Canadian families back 10 generations.
What: Official opening of special exhibition, "Northern Lights: African-Canadian Stories” - curated by Toronto historian Dr. Sheldon Taylor. This exhibition runs until March 2.
Who: David Whitaker, President and CEO, Tourism Toronto
Lesley Lewis, Chief Executive Officer, Ontario Science Centre
Councillor Michael Thompson, City of Toronto
Dr. Sheldon Taylor, Historian and Exhibition Curator
Members of the Crowley, Newby and Downes families (early African-
Canadian Toronto families)
When: Tuesday, February 9, 2010 11:00 a.m.
Where: Procter & Gamble Great Hall, Ontario Science Centre
Directions: 770 Don Mills Road, Toronto
Event takes place in the Procter & Gamble Great Hall,
please park in visitor lot.

For more information contact:
Cathy Riches
Tourism Toronto
416-987-9077
criches@torcvb.com
Ellen Flowers
Ontario Science Centre
416-696-3154
ellen.flowers@osc.on.ca

Issued by Stephen Weir & Associates for Tourism Toronto and the Ontario Science Centre

Monday, February 1, 2010

Media are invited to cover: 2010 WINNER ANNOUNCEMENT LUNCHEON -TAYLOR PRIZE


Media Advisory
Feb. 1, 2010
Media are invited to cover

The Charles Taylor Prize for Literary Non-Fiction
2010 WINNER ANNOUNCEMENT LUNCHEON


Monday, February 8
Le Meridien King Edward Hotel, Toronto
Reception 11:30 a.m. • Luncheon 12:00 p.m.
Winning Announcement before 2p.m.

What: Join host Paula Todd at the 2010 Charles Taylor Prize for Literary Non-Fiction Author Luncheon and celebrate this year’s finalists, learn about this year’s short listed books, and capture the excitement when jurors announce the winner of Canada’s most prestigious literary non-fiction award.
Where: Le Meridien King Edward Hotel, Sovereign Ballroom, Main Level, 37 King St. E., Toronto

2010 CTP Finalists:

Ian Brown
for The Boy in the Moon: A Father’s Search for his Disabled Son (Random House Canada)
John English
for Just Watch Me: The Life of Pierre Elliott Trudeau, 1968 – 2000
(Knopf Canada)
Daniel Poliquin
for René Lévesque (Penguin Canada)
Kenneth Whyte
for The Uncrowned King: The Sensational Rise of William Randolph Hearst (Random House Canada)

Prize Jurors and Spokespersons available for comment:
Award-winning author Andrew Cohen (Ottawa); Tim Cook (Ottawa), winner of the 2009 Charles Taylor Prize for Literary Non-Fiction; and award-winning translator Sheila Fischman (Montréal)
Prize Chair Noreen Taylor
Charles Taylor Prize Foundation Trustees
Established in 2000 to commemorate one of Canada’s foremost essayists, the late Charles Taylor; this national book award recognizes excellence in Canadian writing. Now in its 9th year, the Charles Taylor Prize is presented annually to a Canadian author whose book best demonstrates a superb command of the English language, an elegance of style and a subtlety of thought and perception. www.thecharlestaylorprize.ca

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MEDIA: For seating or to arrange interviews contact Stephen Weir & Associates:

Stephen Weir 416-489-5868 • cell: 416-801-3101 • stephen@stephenweir.com

Linda Crane: 905-257-6033 • cell: 416-727-0112 • cranepr@cogeco.ca

Barnes E-Talks English




Minutes after learning that his book Just Watch Me: The Life of Pierre Elliott Trudeau, 1968-2000 had been short-listed for the Shaughnessy Cohen Prize for Political Writing, author John English sat down with E-Talk producer Jennifer Barnes to talk about the Charles Taylor Prize for Literary Non-Fiction. E-Talk is preparing a half-hour TV special about the 2010 Charles Taylor Prize, and prior to the Awards Luncheon (February 8th) interviewed the four short-listed authors.
" It is quite an honour to be nominated for one prize but two? I am flattered," said Dr. English as he prepared for his interview with E-Talk. "And, Daniel Poliquin was nominated as well (for the Shaughnessy Cohen Prize and the Charles Taylor Prize)."
The irony that his Trudeau bio is competing with a book about Rene Levesque is not lost on Dr. English. Both the Poliquin book and the Trudeau biography look deeply into the rivalry between the two French Canadian leaders.
The E-Talk crew is in the process of interviewing the "stars" of this year's Charles Taylor Prize Award programme. E-Talk is interviewing the authors and members of the Prize Foundation in relevant settings. Short-listed author Kenneth Whyte was interviewed in his Maclean's Magazine office (he is the publisher). Francophone Daniel Poliquin was interviewed in Toronto's most famous French Bistro, Le Select. Ian Brown was filmed in his home and at his desk in the Globe and Mail newsroom. And Dr. English? In a small reading room on the 14th floor of the University of Toronto Robarts Library, near his Dictionary of Canadian Biography U of T office.
In addition to his work as the editor of the Dictionary of Canadian Biography,he is a professor of history at the University of Waterloo and the executive director of the Centre for International Governance Innovation. Citizen of the World, the first volume of his biography of Pierre Elliott Trudeau, won the Dafoe Book Prize and the University of British Columbia Medal for Canadian Biography, and was shortlisted for The 2007 Charles Taylor Prize for Literary Non-Fiction. His other books include the multi-award winning two-volume biography of Lester B. Pearson, Shadow of Heaven and The Worldly Years. He lives in Kitchener, Ontario.
This is what the Taylor Prize jury said about his book: "JUST WATCH ME, the second of a two-volume biography, examines the leadership of Pierre Elliott Trudeau as he manages the threats to Canada's unity and prosperity in the last third of the twentieth century. A master of synthesis, John English brings the sharp eye and deft pen of the seasoned historian to his engaging interpretation of Canada's most provocative, if erratic, prime minister. Here is a memorable portrait of Trudeau at full flood, as nation-builder, strongman, electioneer, aesthete, intellectual, outdoorsman, husband, father, and lover, drawn with authority, humanity and sympathy."
The Charles Taylor Prize is the country's most prestigious non-fiction award. Since 2000, the Prize has been a major driving force behind the recognition and growth of Canadian non-fiction. Now in its 9th year, the privately-funded prize celebrates Canada's literary voices, recognizing the exceptional authors and journalists who captivate us with their stories, insights, and writing style. More than 125 submissions competed for a place on the 2010 Shortlist. Originally awarded every two years, since 2005 the Prize has been awarded annually to a Canadian author whose book best demonstrates a superb command of the English language, an elegance of style, and a subtlety of thought and perception.
The Prize commemorates the late Charles Taylor, one of Canada's foremost essayists, a foreign correspondent and a prominent member of the Canadian literary community whose dream was to raise the public profile of literary non-fiction.
The Prize consists of $25,000 for the winning author and $2,000 for each runner-up with promotional support for each shortlisted title.
The winner of the 2010 Prize will be announced at a Gala Luncheon and Awards Ceremony on Monday, February 8th. The Prize is presented by the Charles Taylor Foundation with generous support from Bravo!, Book Television, Ben McNally Books, CTV, CNW Group, Event Source, Windfield Farm Limited, Le Meridien King Edward Hotel, The Globe and Mail, and Quill & Quire. For more information: www.thecharlestaylorprize.ca.

Saturday, January 30, 2010

Travel Destination Press Conference - only freelancers learned 'bout "Trashing the Dress" trend




Yawn. For beat reporters and photographers covering a travel destination media conference there is precious little to do aside from nibble on the great food and proudly refuse the free booze that flows like lava out of a spewing volcano. Why? There isn't usually any new news given out. In fact almost everything you learn at the press conference could have been emailed over to the newsroom (and they probably still wouldn't have used it).
Air Canada will soon be flying non-stop Charlottetown to Ottawa. Canadian money offered at par in the Buckeye State. Hilton Head Island Goes Green. Those are real headlines from recent press conferences. And the photo ops? travel destination press conference invented the Grip and Grin.
It is a different story for freelancers. It is a chance to meet up with visiting destination officials (usually the tourism minister), tour operators and fellow travel writers. Freelance writers are under no moral obligation to avoid the libations,turn down free trips or take home bags of swag. And if you are covering a destination you no real well, and have the chance to ask probing questions you do find out some neat things. Take for example a presser I attended in January, put on by the Cayman Island Tourist Board.
Cayman has long advertised in Diver Magazine. I go there a lot. It is one of the best destinations in the Caribbean for diving and there are non-stop flights from Toronto (which means you don't have to pass through the US).
I am a Cayman junkee. I listen to Cayman Lime Radio. I read the Cayman Compass. My Google News scans 24.7 for Cayman News. Even so, this presser held out nothing for me, it was a two-hour session all about out-of-country weddings. Sure there have been underwater weddings, but, that is a story that has been told many times already.No, I didn't for see learning about anything that I could transfer into an article for Diver (or even a posting on my website for that matter).
I was wrong! I did learn a few neat factoids about travel destination weddings from Cayman's guest talking head Rebecca Grinnals of Engaging Concepts based in Celebration, Florida. Grinnals talked in person to over 30 travel experts at the Yorkville movie industry friendly Sassafraz Restaurant. At the same time she was conversing with a whack of bloggers, tweeters and God knows who else was lurking on line in real time.
Her message? Despite a recession in 2009, destination weddings (especially in the Cayman Islands) are hotter than ever.
“The world’s largest financial crisis last year really fuelled the trend of destination weddings,” she said “While the industry was bracing for the worst, the opposite occurred. Brides began to reprioritize and rethink everything about their wedding. More brides opted for simplicity, choosing to wed away from home in a more casual setting.”
Grinnal referenced a 2009 study conducted by Destination Weddings & Honeymoons magazine. It says that the market for destination weddings is on the rise. In 2009, the market ballooned to $16 billion up from $3 billion in 2001. A couple’s destination wedding budget has also grown from US $19,800 in 2008 to US $20,600 in 2009 with the average number of attendees rising to 48 guests.
Some of the factoids I learned at the conference?
Marrying Passions – “Over 9,000 Chinese couples married on the opening day of the Beijing Olympics and I anticipate many will choose to do the same during the Vancouver Olympics,” says Grinnals. “Couples who have a love of sports or the great outdoors are choosing to share their passion,” she says. From diving out of an airplane to getting married underwater in dive gear, couples are pushing the boundaries of tradition.
Two Dress Brides – Brides who travel to marry are tending to buy two wedding dresses. Faced with so many stylish options at great prices, Grinnals says brides are opting for a ceremony dress and a fun, party dress for later in the evening.
Dramatic Getaways – When the big day comes to a close and the couple is ready to make their exit, they’re doing it in style. From skiing down a mountain, riding off in a hot air balloon or speeding away on a yacht, the fun is all in the big finale.
DIY DJ – “Whether at home or abroad, couples are ditching the DJ in favour of creating their own play lists on an iPod,” says Grinnals. “Plus they’re downloading music from local artists to create a unique party mix.”
Hitched in High-Tech – Brides are fully immersed in technology, using their mobile device to coordinate planning and vote on bridal party choices. “Social media is particularly popular for the destination wedding couple who are using sites like Twitter and Facebook to keep everyone up-to-date, especially those unable to attend,” she says. “Some brides are even designating a ‘tweet of honour’ who’s responsible for giving a blow-by-blow of the wedding, while others are using webcast services like http://www.ourcaymanwedding.com/ so those at home can still feel a part of the festivities.”
Eco Everything – Because it’s easier than ever to go green at your destination wedding, Grinnals says brides are embracing the trend. “From venues to vendors, they are making green choices in an effort to give back to the environment,” she says.
Map It Out – Couples are creating custom maps of the destination which are given to guests upon arrival. “It’s a great way to make your guests feel welcome as soon as they arrive and immediately orients them by providing attractions, restaurants and other information they’ll need while there,”. She suggests http://www.weddingmapper.com/
Trashing the Dress – “Popular in Caribbean locales, the couple holds a photo shoot the next day and jumps into the ocean in their wedding outfits,” says Grinnals. “It’s a chance for the couple to really let their hair down after all the stress and pressure from the months leading up to the big day. It’s one of my favourite trends and I don’t see it losing steam anytime soon.”

Photos by Stephen Weir
Cutline: Below: Rebecca Grinnals at the Cayman Island podium
Above: Tweeters and Bloggers followed Grinnals hour long Toronto, Canada presentation.

BLOGGERS INVITED TO MEET EAST COAST ARTIST TOM FORRESTALL AND TOUR HIS NEW EXHIBITION



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PUBLIC GALLERY SENDS OUT INVITE TO SOCIAL MEDIA TO MEET EAST COAST ARTIST TOM FORRESTALL AND TOUR HIS NEW EXHIBITION

Renowned Canadian realist painter Thomas DeVany Forrestall will be at the McMichael Canadian Art Collection Sunday January 31st. SOCIAL MEDIA / BLOGGERS are invited to attend the Member’s Opening of Tom Forrestall: Paintings, Drawings, Writings



When Sunday, January 28, 2010, noon. – 1:30 p.m.
Where McMichael Canadian Art Collection, 10365 Islington Avenue, Kleinburg (just north of the Major Mackenzie Drive, Islington Avenue intersection)
Why Tom Forrestall: Paintings, Drawings, Writings organized and circulated by the Art Gallery of Nova Scotia and curated by McMichael Canadian Art Collection Executive Director and CEO, Tom Smart, is a retrospective exhibition which chronicles the artist’s curious observation and exploration of his surroundings, the nature of his creativity, and the source of his visions, through his works. Forrestall’s art has been classified as Magic Realism – an imprecise term often used to describe the work of a coterie of East Coast Canadian painters who emerged after the Second World War (Alex Colville, Christopher Pratt, Mary Pratt). Although their geographic roots, styles and vocabularies were similar, these artists applied themselves differently, each adapting naturalism in a personal way.
Who Meet artist Tom Forrestall and exhibition curator and author, Tom Smart, McMichael Executive Director and CEO.
What A rare opportunity to meet East Coast artist Tom Forrestall. Mr. Forrestall will tour the exhibit with visiting media. Tom Smart has written a book, which traces the development of Forrestall's art and the depth of his long artistic career and will be attending the Sunday event. The exhibition opens Saturday January 30th and runs to April 25th. Mr. Forrestall with speak and sign books at the Member’s Opening on Sunday January 31st.
Free admission for invited Bloggers and their guests (one free guest ticket per blogger) Sunday only.
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About the Gallery
The McMichael Canadian Art Collection is an agency of the Government of Ontario and acknowledges the support of the Ministry of Culture. It is the foremost venue in the country showcasing the Group of Seven and their contemporaries. In addition to touring exhibitions, its permanent collection consists of more than 5,500 artworks, including paintings by the Group of Seven and their contemporaries, First Nations, and Inuit artists.
The gallery is located on Islington Avenue, north of Major Mackenzie Drive in Kleinburg, and is open daily from 10:00 a.m. to 4:00 p.m. Admission is $15 for adults, $12 for seniors/students and $30 for families. There is a $5 fee for parking. For more information about the gallery visit www.mcmichael.com.