Friday, 20 July 2018

Movie Review: River Flows from Mayaro to Downtown Toronto


Best all Trini movie you will never see in a Canadian theatre
By Stephen Weir for Caribbean Camera

Chances are if you went to school in Trinidad you have read and studied Michael Anthony’s Green Days By The River. If you haven’t read the classic Trinidadian novel there is a new made-in-T&T movie that faithfully tells the story of coming of age for a poor young man in the coastal village of Mayaro in 1952.
The book, first published in 1967, is considered one of Trinidad’s most important post colonial novels and Michael Anthony one of the most important living authors (he is listed as one of the 50 most influential people in Trinidad and Tobago).  Now his masterpiece is a movie, and late last week, film junkies got to see the feature film for maybe the first and last time in Canada at a media screening in Toronto.
Michael Mooledhar, a Trinidadian born film maker put together a 100% T&T cast and crew to make Green Days By the River into a lush full length film.  For the past year the flick has been showing at festivals around the Caribbean, North America and Europe to critical acclaim. Last week the film was shown at the Royal Cinema in Toronto to launch this year’s Caribbean Tales Film Festival (CTFF).
Proudly Trinidadian, it is a moving, suspenseful film that stirred the mostly Canadian Caribbean audience that all but filled the College Street cinema. Aside from the English subtitles for those that don’t have a “Caribbean ear”, the actors, the landscape and the moral dilemmas of its main characters were Trini to the Bone.
“It is really a story about nothing, and everything, “ says director Michael Mooledhar. “It touches on all the issues of Trinidad 66-years ago. It tackles colour issues, black and.  There is cultural conflict everywhere, between country and the city. The beachside and the bush. Race and religion too. It is also a story about love, life, death and coming of age of a teenage boy.”
 Mooledhar describes the story thusly: “In a remote village by the sea in 1952 Trinidad, a Black ambitious fifteen-year-old, Shellie (Sudai Tafari), is charmed by the attractive Indian girl Rosalie (Nadia Kandhai), and flattered by the friendship of her father, Gidharee (Anand Lawkaran), who mentally accepts him as a future son-in-law.”
Despite his father's terminal illness, Shellie follows a compassionate Gidharee to work his exotic plantation along the river in hopes of attracting Rosalie. All the while, Shellie falls for a tender, dainty girl from the city, Joan. The love triangle develops, as Shell leads on the girls, not realizing the marriage trap set by Gidharee.
“ We tried not to stray to far from the original story,” the film’s producer Christian James told the Caribbean Camera. “We had the blessing of Michael Anthony, and he did come on set to give his advice.  We did make changes to some of the details – we couldn’t find the right almond tree that opens the film and had to settle for a mango tree instead – but it is undoubtedly Green River.”
Mooledhar and James try to appear at all the festival screeners. “We do it whenever we can,” he continued. “We are always looking for distribution leads.  It has shown in Caribbean theatres but a North American deal has escaped us.  Canadians want to see the film? Follow us on Facebook, because we are looking at streaming it on ITunes or something similar very soon.”  
The film was brought to Toronto by the CTFF to bring attention to their coming movie fete.  What is in store for 2018? The theme this year is Light It Up, which the CTFF describe as “a call to action. A call to arms. A call to change.”
Director Mooledhar by sweirsweir
It all begins September 05 at the Royal Theatre in downtown Toronto and runs until the 20th. Over 30 provocative and political stories of the Black Caribbean experience will be screened including feature presentations from Trinidad, Haiti, Barbados, South Africa and Canada.


Thursday, 19 July 2018

Opening Monday at the Anna Leonowens: North is Freedom



Important  Halifax exhibition profiles the legacy of the Underground Railroad in Canada  by Yuri Dojc
photo by Yuri Dojc
Halifax July 19, 2018 – Halifax’s Anna Leonowens Gallery in downtown Halifax is hosting North is Freedom, an evocative photo exhibition celebrating the descendants of former American slaves who fled to Canada in the years before the American Civil War. The show opens this Monday afternoon.
In portraits of 24 freedom-seeker descendants – the great-great-grandchildren of once-enslaved African Americans – Canadian photographer Yuri Dojc explores Canada’s end of the “Underground Railroad,” a clandestine network of "conductors" and “stations” that helped some 30,000 men, women, and children follow the “North Star” to freedom. 
Black freedom-seekers settled across Canada, but most came to what is now Ontario and Nova Scotia. Future generations remained, and North is Freedom tells their stories - Canadians attuned to their histories and justly proud of their ancestors' courage.  

North is Freedom opens Monday July 23rd, at the Anna Leonowens Gallery – 189 Granville Street, Halifax.  The opening reception runs from 5.30pm to 7:00 pm. Mr Yuri Dojc and Ms. Dorothy Abbott  (featured descendant and treasurer of the exhibition supporting Ontario Black Society -OBS), will be at the gallery at 5:00 to meet with the media. 
Yuri Dojc’s “North Is Freedom” features the great grandchildren of once-enslaved African Americans who found refuge at the Canadian terminus of the “Underground Railroad,” a clandestine network of conductors and stations that helped some 30,000 men, women, and children follow the “North Star” to freedom.
Freedom-seekers who escaped slavery in the United States in the years before the American Civil War settled across Canada. Future generations remained, and North is Freedom named after a poem by George Elliott Clarke, the Parliamentary Poet Laureate of Canada, shines a spotlight on the descendants of slaves and reflects on their cultural memory.
The evocative photographic series was previously exhibited at the Canadian Embassy in Washington D.C. and timed to coincide with the opening of the Smithsonian’s National Museum of African American History and Culture. It was subsequently showcased at the American Embassy in Ottawa during Black History Month in honour of Canada’s 150th birthday.  It has also been shown at The Grey Roots Museum in Owen Sound, Ontario
North Is Freedom’s partnership with the Owen Sound Emancipation Association / OBS  has facilitated the show travelling to Nova Scotia. It honours the descendants living history, heritage, and the enduring legacy of their ancestors. Their stories are both personal and historical.

In Halifax On Monday:

Dorothy Abbott is currently the volunteer Treasurer of two NFP organizations in Ontario; the first is the Ontario Black History Society where she has served on the Board since 2009. The second organization is the Owen Sound Emancipation Association, where she has been a board member since early 2000. Abbott’s interest in genealogy and her family’s origins developed into a passion to recognize and promote Black Canadian history as it is influenced and affected by her original African roots right through to the slave trade in the US, Caribbean and Central and South America. This passion has resulted in several exploratory trips to the southern USA and the Caribbean to trace her family tree. She will be in Halifax for the opening and her photograph hangs in the exhibition.


Photographer, artist and witness, Yuri Dojc’s expansive practice encompasses many kinds of looking. His multi-lens trajectory has pivoted from an established commercial photography practice to his current gaze as an artful observer of the vestiges of history’s most vulnerable.  
In 1968, as Russian tanks were rolling into his native Czechoslovakia, the young student summering in London became, abruptly, “refugee.” And soon, that status shifted again, to immigrant, as Dojc made his way to Canada.   In the decades since, the photographer has made Toronto his home, and the world both his subject and his host. 
Dojc is best known for his observational approach to the past, with its alloy of subjectivities, empathy, and intimacy.  Since the late 1990s, he has been documenting Slovakia's last living Holocaust survivors and the country’s abandoned synagogues, schools, and cemeteries for a series called Last Folio. An international success, this show travels extensively, with major exhibitions in Rome, Berlin, Moscow, New York, Sao Paulo among others. 
In Dojc’s most recent series, North is Freedom: The Legacy of the Underground Railroad as in so much of his work, the photographer illustrates the power of art to convey a narrative that continues to touch us here, now, and into the future.

North Is Freedom is partnered with the Owen Sound Emancipation Festival / OBS and is supported by TD Bank Group, The Embassy of Canada in Washington, D.C. as well as the kind donation of the printing services courtesy of Epson Canada.
Yuri Dojc


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Media Preview with the artist Monday 23 July 5pm at the gallery, or earlier in the day if so desired.
For further information about the show and Yuri contact Stephen Weir
Stephen@StephenWeir.com 416-489-5868 / 416-801-3101


Sunday, 15 July 2018

Canadian Caribbean Photographic Arts Collective's first group showing

BEYOND THE CARNIVAL - OPENING RECEPTION JULY 24th


The Canadian Caribbean Photographic Arts Collective (CCPAC) presents its first major exhibit, Beyond The Carnival, to be held in the rotunda at the Scarborough Civic Centre, 150 Borough Drive, Scarborough. The exhibit featuring the works of 9 photographers will run from July 24th to August 7th, 2018 and can be viewed between 9 am and 9 pm daily.
 
The presentation is described as “an artistic expression of Caribbean experience through our lenses.” As photographers and historians, the CCPAC intention is to archive the history of the Canadian Caribbean experience.
 
“This exhibition is all about archiving the history of the Canadian Caribbean experience,” explains Anthony Berot, the founder of the Canadian Caribbean Photographic Art Collective.  “We have an amazing story that is unique to people of the Caribbean who now call Canada home.  As photographers and historians it is an experience we want to share! We have named the exhibit Beyond the Carnival, because, while most of us take pictures of spectacular Carnival events, some of us also capture photos in places and have experiences many people have not.  It is this presentation which is unique to CCPAC. ”
 
The Canadian Caribbean Photographic Arts Collective invites you to the opening reception on July 24th at 7.00 pm. in the rotunda at the Scarborough Civic Centre.  This reception is sponsored by Festival Management Committee FMC.
 
The photographers whose works are featured are Benjamin Alunyo, David Lewis, Gilbert Medina, Horace Thorne, Ian Grant , Jenny Baboolal, Peter Faure, Maq Seally and Anthony Berot.
 
Kindly RSVP Anthony Berot  photographers@theccpac.com,
 
The media is invited to cover the opening reception.
July 24, 2018 7:00 pm
 
For further information
Stephen Weir
416-489-5868

Monday, 18 June 2018

Panel Discussion: What pop culture’s current science fiction obsession


FREE EVENT AT TORONTO'S SCIENCE CENTRE
Using the POPnology exhibition as a springboard, an expert panel examines what  pop culture’s current science fiction obsession – Black Panther, The Handmaid’s Tale, Westworld, Black Mirror – tells us about society’s hopes, fears and desires about the future. 


PANEL
 

Madeline Ashby, science fiction writer and futurist
Trevor Haldenby, speculative designer and futurist
James Hobson (The Hacksmith), engineer and prototype designer
Sharon Lewis, director and actor
Marc Saltzman, technology expert and moderator

Thought-provoking discussion & debate
+ interactive & informative exhibition
Don't miss out on this two-for-one evening!
Wednesday, June 20
6:00 p.m. - 10 p.m. | POPnology open
7:00 p.m. | Auditorium open
7:30 p.m. | Great Conversations
RSVP to Andrea Mus by June 19.